experiments in hypertext thinking
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Cultural Cartography from Buzzfeed

Content paradigm shift - thread from Venkatesh.

https://twitter.com/tobyshorin/status/1131619923082526720

So, being a good millennial, I decided to follow my passion. I wondered what would happen if we could combine the magic and power of video games, with the rigour and reporting of journalism? What if we could make a really good news game?

source: https://robinkwong.com/storytelling/

Collective Wisdom is a first-of-its-kind field study of the media industry, that maps works that live outside the limits of singular authorship. While the concept of co-creation is entering the zeitgeist, it is an ancient and under-reported dynamic. Media co-creation has particular relevance in the face of today’s myriad of challenges, such as the climate crisis and threats to democracy. But it is not without risks and complications. In this study we look at how people co-create within communities; across disciplines; and increasingly, with living systems and artificial intelligence (AI). We also synthesize the risks, as well as the practical lessons from the field on how to co-create with an ethos grounded in principles of equity and justice. This qualitative study reframes how culture is produced, and is a first step in articulating contemporary co-creative practices and ethics. In doing so, it connects unusual dots.

source: Collective Wisdom · Works in Progress

But what about their information architecture? Almost all of them are built in a feed structure, while the information architecture of the Internet is almost completely hidden behind the scene. There is no ‘Facebook homepage’ that presents updates, requiring you to click on the update, go to the update page, and then click back to return to the homepage.

source: News media should rethink their website architecture

“Rappers got their start by releasing rawer, uncut mixtapes to the streets. These tapes were more frequent, less polished, and had samples we knew damn well weren’t cleared! But once the artist got popular, their studio albums were more polished, had radio-friendly singles, big-name producers, and a slow song or two to broaden appeal.

When artists focus on albums and stop making mixtapes (or mixtape-type music), they risk losing the audience that fueled their rise. But if artists stuck only with mixtapes, there’s a higher chance they might never breakout. Doing both allows them to grow while staying true to their roots. That’s why Lil’ Wayne’s run from 2005-2009 was so iconic. He released classic mixtapes and albums to maintain both audiences.”

source: How Tyler Perry Built a Customer-Centric Empire - Trapital by Dan Runcie

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