TOM CRITCHLOW
experiments in hypertext thinking
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Art. Artists. Aesthetics. "We do not watch artists to see what they do, but watch what persons do and discover the artistry in it." - from finite and infinite games

Notes:


# /links.md

https://thenewinquiry.com/athletic-aesthetics/

It just turns out that MAYBE my artistic practice isn’t simply the production of clothing, it’s a long-term performance piece about labor that happens to produce clothing as artifacts of the performance. I’m kidding—kind of—but I have no regrets about the fact that the interactions I have sharing what I make on social media are as much part of my work as needles and thread.

source: Nozlee Samadzadeh - Sewist’s statement

Collage Art:

https://lsimpsonstudio.com/

https://www.google.com/search?q=Benedetta+Cappa

https://work.pieratt.com/#35123016644

The Critical Internet Atlas

https://www.johnwhitlock.tv/


# /creative-coding.md

https://observablehq.com/@makio135/creative-coding


# /artists-in-consultance.md

https://www.e-flux.com/journal/74/59807/the-artist-in-consultance-welcome-to-the-new-management/

Artist placement group

As the mega-galleries continue to battle for market share, Gagosian, most often cited as the world’s largest gallery, is beefing up its technology team. Today the gallery shared exclusively with ARTnews that it has hired as a part-time senior adviser Sebastian Cwilich, the co-founder of Artsy. (…) Gagosian’s tech department is a relatively recent addition to the gallery, the result of its hire last year of a chief technology officer in Gareth O’Loughlin, formerly the vice president of technology at Casper, the mattress startup. “Gareth and Sebastian are both leaders in the field, with a broad range of skill sets and unique perspectives on technology, business strategy, and operations,” Larry Gagosian, the gallery’s founder, told ARTnews in a statement. “They will be great additions to the gallery, enhancing and expanding our innovative work.”

source: Gagosian Hires Artsy Co-Founder Sebastian Cwilich as Adviser, Beefing Up Tech Department -ARTnews

Is the museum a thinktank, a platform, a consultancy? Ivanova now works as part of the Serpentine Galleries’ Research & Development Platform, a relatively new arm of the London institution. In March the platform published its first report on ‘Future Art Ecosystems’ (coproduced with consultancy Rival Strategy), in which it envisions art institutions as innovative early-adopters of emerging technologies, with section headings like ‘Tech Industry as Art Patron’, ‘Strategies for the Art-Industrial Revolution’ and the ‘Art Stack’.

Source: The Artist of the Future by Gary Zhexi Zhang

This article is the first in a series, where we unpack and explore a set of methodological tools and approaches developed while working on Primer. Primer is a platform for artistic and organizational development, housed in the context of Aquaporin, a global water technology company.

Source: Systems Effects and Learning Processes by David Hilmer Rex

https://twitter.com/buckhouse/status/1313241232349384704

There’s something about art + tech which is niggling at me. The process I’m interested in is when a technology organisation commissions or supports art as a way to understand itself.

Source: Art + tech by @intrcnnctd


# /art-in-the-age-of-digital.md

https://www.e-flux.com/journal/77/77374/digital-provenance-and-the-artwork-as-derivative/

https://thenewinquiry.com/athletic-aesthetics/

Generative Art

This site serves as a gallery for my favorite select pieces of generative art. These pieces have been generated using Processing, p5.js, or OpenFrameworks and are each accompanied by a description of the underlying logic that generated the results.

source: Drawing With Numbers: Generative art from Daniel Eden

https://medium.com/@zachlieberman/daily-sketches-in-2017-1b4234b0615d

Snippets:

!&
@tomcritchlow